Zeting:Würfelzucker -- 2018 -- 3564.jpg

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Summary

Description
Deutsch: Würfelzucker
English: Sugar cubes
Čeština: Kostkový cukr
Esperanto: Sukerkuboj
Suomi: Sokeripaloja
Français : Sucre en morceaux
Frysk: Sûkerblokjes
Gàidhlig: Ciùban siùcair
עברית: קוביות סוכר
हिन्दी: शुगर क्यूब
Magyar: Kockacukor
Italiano:
日本語: 角砂糖
한국어: 각설탕
Lëtzebuergesch: Zockerwierfelen
Latviešu: Cukura kubi
Македонски: Коцки од шеќер
മലയാളം: പഞ്ചസാര ക്യൂബ്
Norsk bokmål: Sukkerbiter
Nederlands: Suikerklontjes
Polski: Kostki cukru
Português: Cubos de açúcar
Português: Cubos de açúcar
Svenska: Sockerbitar
தமிழ்: சர்க்கரை க்யூப்ஸ்
తెలుగు: చక్కెర ఘనాలు
Türkçe: Küp şeker
Українська: Кусковий цукор
中文:糖块
Title
InfoField
Sugar!
title QS:P1476,en:"Sugar!"
label QS:Len,"Sugar!"
label QS:Lde,"Zucker!"
Location
InfoField
Germany DülmenCoesfeldMünster Government RegionNorth Rhine-WestphaliaGermanyEurope
Depicts
InfoField
sugar cube – sugar shaped into a cube, often used for coffee or tea
Technical Specifications
InfoField
60 mm, f/18, 1/4 s, ISO 100 
CameraCanon EOS 70D
Camera lensEF-S60mm f/2.8 Macro USM
Focal length60 mm
Exposure time1/4 s
Diaphragmf/18
ISO speedISO 100
Image data
InfoField
17.9 Mpx, 5349 × 3343 px 
Image resolution17.9 Mpx
Width × Height5349 × 3343 px
Paper size
Dots per inch:300 dpi240 dpi150 dpi72 dpi50 dpi
Size:453×283 mm566×354 mm906×566 mm1887×1179 mm2717×1698 mm
Distance:20 cm30 cm50 cm150 cm300 cm
File formatJPEG File Interchange Format
Bit depth8 Bit
File size9.1 MiB
Aspect ratio8:5
Color spacesRGB
AssessmentsFeatured picturesQuality imagesOne of the author’s favorite photographsOne of the author’s top 12 photos of the year
Date Taken on 20 July 2018, 19:02
Source Own work
Author
Dietmar Rabich (1962–)  wikidata:Q34788025
 
Dietmar Rabich
Description German amateur photographer, wikipedian and mathematician
Date of birth 1962 Edit this at Wikidata
Location of birth North Rhine-Westphalia Edit this at Wikidata
Work period from 1975
date QS:P,+1975-00-00T00:00:00Z/7,P580,+1975-00-00T00:00:00Z/9
Work location
Münsterland, nördliches Ruhr Area
Authority file
creator QS:P170,Q34788025
Permission
(Reusing this file)
Dieser Text und viele andere auch sind ebenso in deutscher Sprache verfügbar. Um diese sehen zu können, wähle bitte auf dieser Webseite die Spracheinstellung „Deutsch“.
I. Licence
This photograph is protected by copyright law. However, it may be used for free by anyone, provided it is used in accordance with the license Creative Commons License “Attribution-ShareAlike 4.0 International” (CC BY-SA 4.0). These include, among other things, the naming of the author and the license, as well as the setting of a link to the license text or its complete imprint. The attribution should be done as follows:
Please read the text of the license carefully before using the photograph. If you do not agree with the conditions of the license or if you do not understand these conditions, please refrain from using the photo. If you have any questions regarding the license or the reuse of the image, please contact me before using it. If you do not comply with the terms of the license, you do not acquire any right to use the image. If you need another license to use, please contact the author before using.
For informations about the licence see section Licensing or as human-readable summary or as full licence text at Creative Commons. In addition to the above, a link to the source - so this page with the descriptions and license terms - is appreciated. More information or examples of use can be found at re-use (with example file). The Attribution Generator is helpful in licensing matters.
As an alternative to the Creative Commons License CC BY-SA 4.0, the Free Art License (from version 1.3) may also be used.
II. Fairness
From printed materials and other tangible products that use that work, the user is asked to send a copy to the author as thank you. However, this is not a condition for the use of the photo, but a voluntary service. The mailing address can be requested via the contact options.
Please note that the author had quite considerable effort to draw up this file. Thus, it is only fair to comply with the conditions of free licenses listed here. In the case of violation of the license conditions, the rights granted hereunder will expire automatically.
III. Disclaimer
Please note that the license applies solely for the reuse of the photograph itself. The license doesn't grant you any right regarding the depicted object (eg, copyright or proprietary rights) or the personality rights of the person eventually shown. (See licences and non-copyright restrictions.) I do not grant any warranty that the subsequent use of the photograph is legally possible concerning the object or person shown in the photograph. You are responsible to check and respect these rights in the publication in the respective medium or country.
The author is not responsible for the accuracy of the information contained herein (description, title, etc.). Likewise, the author assumes no liability for further use. Please note the general disclaimer and please read reusing content outside Wikimedia too.
IV. Contact
Other versions
See also
Attribution
(required by the license)
InfoField
Dietmar Rabich / Wikimedia Commons / “Würfelzucker -- 2018 -- 3564” / CC BY-SA 4.0
For print products: Dietmar Rabich / https://commons.wikimedia.org/wiki/File:W%C3%BCrfelzucker_--_2018_--_3564.jpg / https://creativecommons.org/licenses/by-sa/4.0/
Keywords
InfoField
Кусковой сахар, 설탕, Шматковий цукор, Açúcar, Azúcar, Bild des Tages, Black, Black and white,
Black-and-white, Black-and-white photography, Close-ups, Cukier spożywczy, Deutschland, Dülmen, Exzellentes Bild, Featured picture, Food, Fotokunst, Geometrie, Germany, Graustufen, Grauwertbild, Kockacukor, Kostkový cukr, Kreativität, Kreis Coesfeld, Kultur, Kunst, Küp şeker, Lebensmittel, Lebensmittelfotografie, Makrofotografie, Mathematik, Münsterland, Muster, Nahaufnahme, Nordrhein-Westfalen, North Rhine-Westphalia, Object, Objekt, Photo Art, Photographic Art, Picture of the day, Qualitätsbild, Quality image, Schwarz, Schwarzweiß, Schwarz-weiß, Schwarzweißbild, Schwarzweißfotografie, Socker, Standfotografie, Stillleben, Still life, Still-life photography, Struktur, Sucre en morceaux, Sugar, Suikerklontje, Sukero, Sukker, Tabletop-Fotografie, Weiß, Westfalen, White, Würfelzucker, Zahăr, Zucker, 2018
Camera location51° 48′ 36.65″ N, 7° 14′ 51.65″ E Kartographer map based on OpenStreetMap.View this and other nearby images on: OpenStreetMapinfo

Location

The geocoded location of the location of this image is only correct to the nearest 2 km for privacy or other reasons. Please do not improve the accuracy of the coordinates even if you are able to do so.

Assessment

Picture of the day
Picture of the day
Featured picture
Quality image
Quality image

Wikimedia Commons

This file was the picture of the day on July 04, 2019.
This is a featured picture on Wikimedia Commons (Featured pictures) and is considered one of the finest images. See its nomination here.
This is a quality image and is considered to meet the quality image guidelines.
 With an aspect ratio of 8:5, 16:10, or 16:9, this image is suitable as a widescreen computer wallpaper (see gallery).

If you have an image of similar quality that can be published under a suitable copyright license, be sure to upload it, tag it, and nominate it.

This image was selected as picture of the day on Bengali Wikipedia.

Licensing

Dietmar Rabich, the copyright holder of this work, hereby publishes it under the following license:
w:en:Creative Commons
attribution share alike
This file is licensed under the Creative Commons Attribution-Share Alike 4.0 International license.
Attribution:
You are free:
  • to share – to copy, distribute and transmit the work
  • to remix – to adapt the work
Under the following conditions:
  • attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
  • share alike – If you remix, transform, or build upon the material, you must distribute your contributions under the same or compatible license as the original.

Notes

For users of the photo

For editors

For photographers

How do you take a photo like this?
To give you a little insight into how a photo like this was created, here are a few basic tips and tricks specifically related to this photo.
Basics

First, you should be aware that a good photo is taken by the photographer themselves. The focus is therefore on composition and creativity. At least when you are starting out, it is advisable to follow the rules of composition. The camera and lens are tools for creating the photo. Technically speaking, a photo is only as good as the tools allow it to be.

If creativity and high quality are important to you, you should say goodbye to fully automatic mode. However, individual automatic functions can be useful. It is better to make some camera settings consciously, so it is also important to use them selectively.

There are only a few basic parameters that affect a photo. These are aperture, exposure time and ISO value. The aperture determines the depth of field in the image. The wider the aperture is open, the less sharp the image will be, and vice versa. However, the aperture should only be closed as far as is absolutely necessary. The exposure time should be short enough to prevent the photo from being blurred. The shorter it is, the more likely it is that movement will be frozen. The ISO value determines how sensitive a sensor is to light. The higher it is, the more sensitive it becomes. (More precisely, the light signal is amplified.) However, this has a disadvantage, because as the ISO value increases, so does the noise.

You should be able to focus correctly on the camera. You don't necessarily have to focus manually, but you should be able to select the appropriate focus fields yourself. Furthermore, the significance of the focal length and its effect on the photo should be actively selected. For example, a longer focal length results in a compression effect, which has its own image effect. Even when using a zoom lens, it can't hurt to take a few steps forward or backward.

Of course, this is only a very brief overview. There are other influencing factors and parameters, but these cannot be conveyed in the brevity of this text.
Tips & Tricks
In close-up photography, a (small) object is positioned in front of the camera in such a way that it appears very large and detailed in the photograph. This allows very small objects or details to be captured particularly well. A close-up can be taken with a special macro lens, but also with the aid of extension rings or close-up lenses (lens attachments).
See also category: Close-up photography.
Black-and-white photography (more accurately, but less commonly referred to as monochrome or grayscale photography) emphasizes structures. In many cases, color would be more distracting. With the help of color controls, you can influence the conversion to grayscale and thus give the photo a different expression. In the early days of photography, black and white was often used for documentation, but also as a form of artistic expression. Since around the 1990s, black and white photography has been used more and more as a form of creative photography, after fading into the background in the 1970s. Some consider black-and-white photography to be the supreme discipline of photographic art.
See also category: Black and white photographs.
Nothing in the ‘’'background‘’' should distract from the main subject. The viewer's gaze should automatically fall on your subject and not on distracting details behind it. If your gaze “wanders” around the photo, the background is probably too busy. When taking the photo, move slightly to the left or right. Often, distracting elements will disappear immediately. Or open the aperture slightly to blur the background. Or change the perspective by moving lower or higher.
See also category: Backgrounds.
The saying “less is more” means showing only what is really important in photography. A good photo does not need many elements. It needs a clear main subject, so decide on a main subject. Instead of showing a lot of the surroundings, get closer to the detail or choose a narrower frame.
Creativity in photography is particularly important for creating unique and memorable images, and you become creative by trying out unusual perspectives, experimenting, and accepting mistakes as part of the learning process. Creativity can be encouraged by experimenting with perspectives, such as shooting from above or below, as well as by trying out different techniques and lighting, allowing yourself to be guided by new inspiration and challenges without fear of making mistakes.
See also category: Creativity.
Postface

Photography is more than just technique—it's your way of seeing the world.

Maybe you're waiting for the “perfect” subject. For better light. For more time. But creativity doesn't start with perfect conditions—it starts with curiosity. With the courage to look. With the decision to get started today.

The light in the morning tells different stories than the light in the evening. Shadows paint patterns on walls. Raindrops transform into tiny universes when viewed in macro. An ordinary street becomes a stage when you observe it patiently.

You don't need the most expensive equipment. You need your eye. Ask yourself:

  • What do I overlook every day?
  • How does this moment feel?
  • What happens when I get closer—or further away?

Allow yourself to experiment. Play with perspectives. Crouch down. Take pictures against the light. Deliberately crop something out. Break the rules—after you know them. Not every picture has to be perfect. Every picture can be a step.

Creativity comes from doing. So get going. Capture what moves you. Show your view of the world—because no one else sees it the way you do.

Your camera is not a tool for perfection.
It is a tool for expression.

Photographs

You like this photograph? That pleases me very much! You would like to see more of my pictures? With pleasure.
Wikimedia Commons has a large number of my photographs available under a free license. This makes it easy for you and me. The license details are for each picture. The use is easier than you think, because in essence, this is just the attribution in the form I want. In addition, usage notes are listed for each picture. And if it does not fit, just ask. My contact information is also available with every photograph.
Maxims

Every photographer has maxims that guide him or her. Sometimes they exist consciously, sometimes unconsciously. So here is an attempt to formulate this maxim for my own photos:

  • I have to like the photos myself. Even if interests change over the course of time, this means that primarily subjects of personal interest are photographed. Subjects of secondary interest serve to increase knowledge and experiment with other techniques or subjects. Commissioned work with special design requirements is not carried out.
  • Free knowledge should be supported. The photos should support knowledge and education in every possible way. I see free knowledge as a valuable asset. There is no commercial interest and it would also stand in the way of creativity.
  • The joy of photography should be visible. Photography should be fun. Beautiful pictures should enable fantasy worlds. My photos should convey all of this.
  • Photos are only offered to third parties if they have been finally processed. The entire development process is carried out by me, from the choice of motif to post-processing. Changes of any kind by third parties are therefore not acceptable. Use is of course permitted subject to the license conditions.
  • The technically possible should be utilized. The equipment sets limits, but the photos should be taken within these limits. This also means that photos are usually taken in raw data format.
  • The photos are part of a creative process. From the idea to the choice of motif to post-processing, the creative process is utilized and the individual view is used to shape it.
  • The photos should serve as a model for others and arouse interest in photography. Photography has many facets, from documentation to artistic use. The special features of this medium are intended to arouse interest in photography and also photographic art.
  • The photos should have a positive effect. My hope is that the photos will help make the world a little bit better and have a positive impact on how we interact with each other. That's why I'm happy when the photos are used for educational and volunteer work.

Captions

Add a one-line explanation of what this file represents
Sugar cubes (2018)

Items portrayed in this file

depicts English

sugar cube English

color English: white English
shape English: rectangular cuboid English
made from material English: white sugar English
relative position within image English: pct:3.34333,7.78028,93.4351,71.8376
quantity English: 12

background English

color English: black English

copyrighted English

inception English

20 July 2018

refine date English: 19:02 English
point in time English: 4 July 2019
start time English: 23 August 2018
start time English: 31 July 2018

instance of English

photograph English

exposure time English

0.25 second

f-number English

18

ISO speed English

100

focal length English

60 millimetre

Dülmen English

51°48'N, 7°14'E

media type English

image/jpeg

main subject English

sugar cube English

width English

5,349 pixel

height English

3,343 pixel

data size English

9,496,894 byte

title English

Sugar! (English)

Zucker! (German)

checksum English

31b18e21fcf454825f8e3be31c792def4c789ae1

lighting English

SugarCube

blackandwhite

Duelmen

Dülmen

Würfelzucker

CloseUp

BlackAndWhitePhotography

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current16:55, 10 September 2018Thumbnail for version as of 16:55, 10 September 20185 349 × 3 343 (9,06 MB)wikimediacommons>XRayminor improvements

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